Table
of Contents from "Encyclopedia of Bass Logic"
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Authors
note |
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Contents |
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Beginner
Assignments |
1-2 |
Intermediate
Assignments |
3 |
Advanced
Assignments |
4 |
Beginning |
5-8 |
Elements
of style |
9-10 |
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Basics |
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*
Putting on new strings / Tuning |
11 |
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Stretching the strings |
12 |
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Evening out tension |
13 |
*
Setting Intonation |
14 |
*
Develop a library of music |
15 |
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Playing
the Bass |
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*
How to hold the bass |
16 |
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17-22 |
*
Tai Chi of Technique |
23-24 |
*
Repetitive Motion Injury |
25 |
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Right Hand Positioning |
26-27 |
*
Musicianship |
28 |
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Music
Theory |
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Treble & Bass Clef |
29 |
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Fingering Chart |
30 |
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Intervals |
31-35 |
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Tablature |
36 |
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Key Signatures |
37 |
*
Circle of Fifths |
38 |
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C Major Scale |
39 |
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Sustain through the A major scale in a 4 fret position |
40 |
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41 |
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Common Minor scales |
42-43 |
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Relative Major and Minor Scales In 12 Keys |
44-45 |
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7 Diatonic Modes (C) |
46 |
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Dropping Notes From the Key |
47 |
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Rhythms and Diatonic Modes Influence Your choice
of notes |
48 |
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7 Diatonic Modes (F) |
49 |
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Position Approach To D Aeolian Walk |
50 |
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Three alternate fingerings, through modes |
51 |
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Modal Improvisation over Chord Progressions |
52-53 |
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Common Descending Chord Progression |
54 |
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Modal Texturing |
55 |
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World
Scales (pg.58 = a,b,c...) (156 Scales from Around
the World). |
56-64 |
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Triads & 7th Chords |
65 |
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6th & 9th Chords |
66 |
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Poly chords & Altered Bass note, or Slash Chords |
67-68 |
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What To Play Over Chord Changes |
69 |
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Basic Chords in All Keys |
70 |
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I IV V Turn around |
71 |
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"I Got Rhythm" Changes |
72 |
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Triad Arppegiation Sequence |
73 |
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Two Octave Arpeggiations |
74-76 |
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Up One 7th Chord and Down the Next |
77 |
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78-81 |
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Scales and Some of the Chords They Support |
82-83 |
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Sequences
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Intervals Through Sequential Patterns in Half Position |
84 |
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Diatonic Sequences |
87 |
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Diatonic Sequence in Thirds |
88 |
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More Diatonic Sequences |
89 |
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Descending Sequences in D Major |
90 |
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G Major Sequence |
91-92 |
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Arpeggiations and Sequencing in Thirds Through the
Modes |
93 |
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Arpeggiations and Sequencing in Thirds Through Various
Chord Forms |
94-95 |
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Rhythms
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Have Good Time (fundamentals) |
96 |
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Time Values |
97 |
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Rhythms |
98 |
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Dotted Notes |
99 |
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Time Signature |
100 |
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Compound Time Signatures |
101 |
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102 |
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103 |
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More Advanced Rhythms |
104 |
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More Common Rhythms |
105 |
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Ties and Slurs |
106 |
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Stylistically Common Rhythmic Figures |
107 |
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Building Bass Lines out of Their Primary Rhythm |
108-110 |
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Finding All the Subdivisions of the 6/8 Groove |
111 |
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Sequential Patterns using Rhythmic Variations From
6/8/ Groove |
112 |
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Harmonics |
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Harmonics & Artificial Harmonics |
113-114 |
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False Harmonics |
115 |
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Harmonic Mode Chart |
116 |
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Technical
Exercises |
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Left Hand Finger Dexterity |
118 |
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Multi-stop Control |
119 |
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Chromatic Exercise |
120-122 |
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Practicing Your Position Shift Aim |
123 |
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Technicals 1-7 |
124-133 |
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Daily Warm Up |
134 |
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Switching |
135-136 |
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String Crossing Variations |
137 |
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Stretching Double Stops |
138 |
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Consecutive Switching Reversal |
139 |
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Plectrum |
140-141 |
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Right (plucking) Hand Cross String Development |
142 |
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Right (plucking) hand string Crossings |
143 |
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Right Hand Cross String Double Strokes |
144 |
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Swing Skip |
145 |
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Successive Right Hand Muting (skips) |
146 |
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Trills |
147 |
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Triplet & Fiesta Fills |
148 |
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Miscellaneous Exercises |
149 |
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Left Hand Finger Dexterity |
150 |
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Slap
Style |
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Right Hand Positioning for Slap Style |
153 |
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The Hand Slap |
154 |
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Slap Pop Rhythms On a Single String |
155 |
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Muted Notes |
156 |
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Linear String Hammer / Pulls |
157 |
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Pluck Hammer Pull Combinations |
158 |
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Sequential Multiple Hammer Funk |
159 |
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Hammer/ Pull Combinations |
160 |
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Left and Right Hand Hammer Combinations |
161 |
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Finger
Style Funk |
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Finger Funk and the Comfort of a Single Position |
163 |
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Avoid Being Put In A Box By the Exercises You Use |
164 |
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Tapping
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Technique |
165 |
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Simultaneous Left and Right hand Tapping |
166 |
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Basic Necessary Finger Dexterity for Tapping |
167 |
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Tapping Out Chords |
168 |
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Left and Right Hand Hammer / Pulls Utilizing all
4 Fingers |
169 |
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Right Hand Hammered Double Stops, with Left Hand
Simple Bass 2 |
170 |
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Right Hand Tapping |
171 |
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Left & Right Hand Hammer - Pull Development |
172 |
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Four Note Trills |
173 |
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Hammering Up and Down Scale Sequence Patterns |
173 |
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Bouree (J.S. Bach) |
174 |
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Tapping Out a 12 Bar Blues in F |
175 |
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Right Hand Minor Blues Scale |
176 |
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Up & Down the Blues Scale, With Pull-offs Into
the Chord Below |
177 |
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Sequence On the Blues Scale, With Pull - offs Into
the Chord Below |
178 |
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Stylistic
Hooks |
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Blues
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Blues / Various Blues Chord Progressions |
180 |
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Blues Lines / Shuffle Hooks 1 & 2 |
181 |
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More Blues Lines / Shuffle Hooks 3 & 4 |
182 |
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Still More Blues Lines |
183 |
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Last of the Blues Lines / Common Boogies |
184 |
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I, VI, II, V Variations |
185 |
Reggae |
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186 |
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More Reggae Lines |
187 |
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Still More Reggae Lines |
188 |
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The Last of the Reggae Lines |
189 |
Funk
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Slap Hooks with Double Hammers / Reverse Percussive
Order |
190 |
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Triplet Slap Rudi-ment / Independent Thought / Funky
Round |
191 |
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Slap Funk "Lila" Break |
192 |
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193-194 |
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Hindi Funk / Straight Count with Inverted Feel./
Aimless. / Hold Back Push Ahead |
195 |
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196 |
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Finger Funk 7-11 |
197 |
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Finger Funk 12 Bar (part 1) / Three Variations |
198 |
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More Finger Funk Originals (1-3) |
199 |
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Funky Blues Epic |
200 |
R
& B |
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"Sir Duke" (+ others 2 - 4) |
201 |
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More R&B Lines |
202 |
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"I Want You Back" |
203 |
Rock
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Rock Runs (1 - 4) |
204 |
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Rock Runs (5 - 7) |
205 |
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Metal Mania |
206 |
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Kid Charlemagne |
207-209 |
Latin |
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210 |
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211 |
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Last of the Latin Lines |
212 |
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Anticipation Lines |
213 |
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Various Syncopated Ascending Lines |
214 |
Random
Hook LInes |
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70s Horn Band / Pirates Stomp / Goth Rock Swing
/ Alternative Rock |
215 |
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Shuffly Trill Hook / More Syncopation / Graced Shuffle |
216 |
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Swingy Motif / Jumping the Triplet / Duky Funk /
Anticipulse |
217 |
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"This Place" / "Hebraish"
/ "Hip Hop & Jump" (Brians Page) |
218 |
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Call and Response In Two Time Signatures |
219 |
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Inside Finger Crossing / Getting Ready / Cross String
Bolero with Slide |
220 |
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Funky Blues / Riffy Loop / Staccato Jump Accent
/ Build It Up and Rip It Down |
221 |
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Glossary
of Commonly Used Musical Terms |
222-231 |
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Dynamics
Markings & Other Symbols |
232-233 |
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