| Table
of Contents from "Encyclopedia of Bass Logic"
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| Authors
note |
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| Contents |
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| Beginner
Assignments |
1-2 |
| Intermediate
Assignments |
3 |
| Advanced
Assignments |
4 |
| Beginning |
5-8 |
| Elements
of style |
9-10 |
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| Basics |
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| *
Putting on new strings / Tuning |
11 |
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Stretching the strings |
12 |
| *
Evening out tension |
13 |
| *
Setting Intonation |
14 |
| *
Develop a library of music |
15 |
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| Playing
the Bass |
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| *
How to hold the bass |
16 |
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17-22 |
| *
Tai Chi of Technique |
23-24 |
| *
Repetitive Motion Injury |
25 |
| *
Right Hand Positioning |
26-27 |
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Musicianship |
28 |
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| Music
Theory |
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| *
Treble & Bass Clef |
29 |
| *
Fingering Chart |
30 |
| *
Intervals |
31-35 |
| *
Tablature |
36 |
| *
Key Signatures |
37 |
| *
Circle of Fifths |
38 |
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C Major Scale |
39 |
| *
Sustain through the A major scale in a 4 fret position |
40 |
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41 |
| *
Common Minor scales |
42-43 |
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Relative Major and Minor Scales In 12 Keys |
44-45 |
| *
7 Diatonic Modes (C) |
46 |
| *
Dropping Notes From the Key |
47 |
| *
Rhythms and Diatonic Modes Influence Your choice
of notes |
48 |
| *
7 Diatonic Modes (F) |
49 |
| *
Position Approach To D Aeolian Walk |
50 |
| *
Three alternate fingerings, through modes |
51 |
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Modal Improvisation over Chord Progressions |
52-53 |
| *
Common Descending Chord Progression |
54 |
| *
Modal Texturing |
55 |
*
World
Scales (pg.58 = a,b,c...) (156 Scales from Around
the World). |
56-64 |
| *
Triads & 7th Chords |
65 |
| *
6th & 9th Chords |
66 |
| *
Poly chords & Altered Bass note, or Slash Chords |
67-68 |
| *
What To Play Over Chord Changes |
69 |
| *
Basic Chords in All Keys |
70 |
| *
I IV V Turn around |
71 |
| *
"I Got Rhythm" Changes |
72 |
| *
Triad Arppegiation Sequence |
73 |
| *
Two Octave Arpeggiations |
74-76 |
| *
Up One 7th Chord and Down the Next |
77 |
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78-81 |
| *
Scales and Some of the Chords They Support |
82-83 |
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| Sequences
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Intervals Through Sequential Patterns in Half Position |
84 |
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Diatonic Sequences |
87 |
| *
Diatonic Sequence in Thirds |
88 |
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More Diatonic Sequences |
89 |
| *
Descending Sequences in D Major |
90 |
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G Major Sequence |
91-92 |
| *
Arpeggiations and Sequencing in Thirds Through the
Modes |
93 |
| *
Arpeggiations and Sequencing in Thirds Through Various
Chord Forms |
94-95 |
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| Rhythms
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| *
Have Good Time (fundamentals) |
96 |
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Time Values |
97 |
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Rhythms |
98 |
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Dotted Notes |
99 |
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Time Signature |
100 |
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Compound Time Signatures |
101 |
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102 |
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103 |
| *
More Advanced Rhythms |
104 |
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More Common Rhythms |
105 |
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Ties and Slurs |
106 |
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Stylistically Common Rhythmic Figures |
107 |
| *
Building Bass Lines out of Their Primary Rhythm |
108-110 |
| *
Finding All the Subdivisions of the 6/8 Groove |
111 |
| *
Sequential Patterns using Rhythmic Variations From
6/8/ Groove |
112 |
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| Harmonics |
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| *
Harmonics & Artificial Harmonics |
113-114 |
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False Harmonics |
115 |
| *
Harmonic Mode Chart |
116 |
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| Technical
Exercises |
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| *
Left Hand Finger Dexterity |
118 |
| *
Multi-stop Control |
119 |
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Chromatic Exercise |
120-122 |
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Practicing Your Position Shift Aim |
123 |
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Technicals 1-7 |
124-133 |
| *
Daily Warm Up |
134 |
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Switching |
135-136 |
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String Crossing Variations |
137 |
| *
Stretching Double Stops |
138 |
| *
Consecutive Switching Reversal |
139 |
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Plectrum |
140-141 |
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Right (plucking) Hand Cross String Development |
142 |
| *
Right (plucking) hand string Crossings |
143 |
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Right Hand Cross String Double Strokes |
144 |
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Swing Skip |
145 |
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Successive Right Hand Muting (skips) |
146 |
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Trills |
147 |
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Triplet & Fiesta Fills |
148 |
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Miscellaneous Exercises |
149 |
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Left Hand Finger Dexterity |
150 |
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| Slap
Style |
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| *
Right Hand Positioning for Slap Style |
153 |
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The Hand Slap |
154 |
| *
Slap Pop Rhythms On a Single String |
155 |
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Muted Notes |
156 |
| *
Linear String Hammer / Pulls |
157 |
| *
Pluck Hammer Pull Combinations |
158 |
| *
Sequential Multiple Hammer Funk |
159 |
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Hammer/ Pull Combinations |
160 |
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Left and Right Hand Hammer Combinations |
161 |
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| Finger
Style Funk |
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Finger Funk and the Comfort of a Single Position |
163 |
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Avoid Being Put In A Box By the Exercises You Use |
164 |
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| Tapping
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Technique |
165 |
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Simultaneous Left and Right hand Tapping |
166 |
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Basic Necessary Finger Dexterity for Tapping |
167 |
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Tapping Out Chords |
168 |
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Left and Right Hand Hammer / Pulls Utilizing all
4 Fingers |
169 |
| *
Right Hand Hammered Double Stops, with Left Hand
Simple Bass 2 |
170 |
| *
Right Hand Tapping |
171 |
| *
Left & Right Hand Hammer - Pull Development |
172 |
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Four Note Trills |
173 |
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Hammering Up and Down Scale Sequence Patterns |
173 |
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Bouree (J.S. Bach) |
174 |
| *
Tapping Out a 12 Bar Blues in F |
175 |
| *
Right Hand Minor Blues Scale |
176 |
| *
Up & Down the Blues Scale, With Pull-offs Into
the Chord Below |
177 |
| *
Sequence On the Blues Scale, With Pull - offs Into
the Chord Below |
178 |
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| Stylistic
Hooks |
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| Blues
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| *
Blues / Various Blues Chord Progressions |
180 |
| *
Blues Lines / Shuffle Hooks 1 & 2 |
181 |
| *
More Blues Lines / Shuffle Hooks 3 & 4 |
182 |
| *
Still More Blues Lines |
183 |
| *
Last of the Blues Lines / Common Boogies |
184 |
| *
I, VI, II, V Variations |
185 |
| Reggae |
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186 |
| *
More Reggae Lines |
187 |
| *
Still More Reggae Lines |
188 |
| *
The Last of the Reggae Lines |
189 |
| Funk
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| *
Slap Hooks with Double Hammers / Reverse Percussive
Order |
190 |
| *
Triplet Slap Rudi-ment / Independent Thought / Funky
Round |
191 |
| *
Slap Funk "Lila" Break |
192 |
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193-194 |
| *
Hindi Funk / Straight Count with Inverted Feel./
Aimless. / Hold Back Push Ahead |
195 |
| |
196 |
| *
Finger Funk 7-11 |
197 |
| *
Finger Funk 12 Bar (part 1) / Three Variations |
198 |
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More Finger Funk Originals (1-3) |
199 |
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Funky Blues Epic |
200 |
| R
& B |
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| *
"Sir Duke" (+ others 2 - 4) |
201 |
| *
More R&B Lines |
202 |
| *
"I Want You Back" |
203 |
| Rock
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Rock Runs (1 - 4) |
204 |
| *
Rock Runs (5 - 7) |
205 |
| *
Metal Mania |
206 |
| *
Kid Charlemagne |
207-209 |
| Latin |
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210 |
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211 |
| *
Last of the Latin Lines |
212 |
| *
Anticipation Lines |
213 |
| *
Various Syncopated Ascending Lines |
214 |
| Random
Hook LInes |
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70s Horn Band / Pirates Stomp / Goth Rock Swing
/ Alternative Rock |
215 |
| *
Shuffly Trill Hook / More Syncopation / Graced Shuffle |
216 |
| *
Swingy Motif / Jumping the Triplet / Duky Funk /
Anticipulse |
217 |
*
"This Place" / "Hebraish"
/ "Hip Hop & Jump" (Brians Page) |
218 |
| *
Call and Response In Two Time Signatures |
219 |
| *
Inside Finger Crossing / Getting Ready / Cross String
Bolero with Slide |
220 |
| *
Funky Blues / Riffy Loop / Staccato Jump Accent
/ Build It Up and Rip It Down |
221 |
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| Glossary
of Commonly Used Musical Terms |
222-231 |
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| Dynamics
Markings & Other Symbols |
232-233 |
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